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Archived from groups: comp.sys.mac.apps,rec.video.desktop (More info?)
I noticed that iMovie 4.0.1 exports Full Quality DV as DVCPRO.
Unlike DV, DVCPRO forces audio locked and @ 48 kHz. Another difference
is that PAL DVCPRO uses 4:1:1 instead of 4:2:0 for color sampling (NTSC
uses 4:1:1 for DV and DVCPRO).
PAL DV 4:2:0 can be resampled to PAL DVCPRO 4:1:1. A source below says
that "multigeneration work in 4:2:0 is much more subject to visible
degradation than multigeneration work in 4:1:1".
So: is it best to use only DVCPRO in QuickTime .dv exports so no
multiple DV <-> DVCPRO resampling is necessary when exporting and
importing the same material?
BTW MPEG-2 is 4:2:0 or 4:2:2, and does not support 4:1:1.
<http://www.adamwilt.com/DV.html>
<http://www.adamwilt.com/DV-tech.html>
<http://www.adamwilt.com/DV-FAQ-tech.html#LockedAudio>
<http://www.adamwilt.com/DV-FAQ-tech.html#colorSampling>
<http://www.adamwilt.com/pix-sampling.html>
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Matti Haveri <mattiDOThaveriATsjokiDOTutaeiroskaaDOTfi> remove ei roskaa
I noticed that iMovie 4.0.1 exports Full Quality DV as DVCPRO.
Unlike DV, DVCPRO forces audio locked and @ 48 kHz. Another difference
is that PAL DVCPRO uses 4:1:1 instead of 4:2:0 for color sampling (NTSC
uses 4:1:1 for DV and DVCPRO).
PAL DV 4:2:0 can be resampled to PAL DVCPRO 4:1:1. A source below says
that "multigeneration work in 4:2:0 is much more subject to visible
degradation than multigeneration work in 4:1:1".
So: is it best to use only DVCPRO in QuickTime .dv exports so no
multiple DV <-> DVCPRO resampling is necessary when exporting and
importing the same material?
BTW MPEG-2 is 4:2:0 or 4:2:2, and does not support 4:1:1.
<http://www.adamwilt.com/DV.html>
<http://www.adamwilt.com/DV-tech.html>
<http://www.adamwilt.com/DV-FAQ-tech.html#LockedAudio>
<http://www.adamwilt.com/DV-FAQ-tech.html#colorSampling>
<http://www.adamwilt.com/pix-sampling.html>
--
Matti Haveri <mattiDOThaveriATsjokiDOTutaeiroskaaDOTfi> remove ei roskaa