Hmmmm...
So, as per <A HREF="http://forumz.tomshardware.com/ce/modules.php?name=Forums&file=viewtopic&p=12332#12332" target="_new">the earlier thread</A>, it seems that the Hitachi does in fact use an 18-bit display over a 24-bit.
I was considering the CML174, however this is a bit of a speed bump as I use my rig for both gaming and animation/graphics production. I was opting over several 19" LCDs for the CML174, but now it seems that the color palette may be something to reconsider the purchase (I was originally considering the Princeton SENergy 981 & Hitachi's own CML190)
In the 18-bit vs. 24-bit discussion, I know the eye will have a hard time discerning between both types of screens (particularly when they're both running from the same 24-bit palette), but I concern myself with the subtlities when doing production work.
Is anyone using the CML174 in a similar capacity? I would like to consider it still, but to hear the opinion who is using this monitor for design work will be helpful.
Thanks in advance
-Robs
So, as per <A HREF="http://forumz.tomshardware.com/ce/modules.php?name=Forums&file=viewtopic&p=12332#12332" target="_new">the earlier thread</A>, it seems that the Hitachi does in fact use an 18-bit display over a 24-bit.
I was considering the CML174, however this is a bit of a speed bump as I use my rig for both gaming and animation/graphics production. I was opting over several 19" LCDs for the CML174, but now it seems that the color palette may be something to reconsider the purchase (I was originally considering the Princeton SENergy 981 & Hitachi's own CML190)
In the 18-bit vs. 24-bit discussion, I know the eye will have a hard time discerning between both types of screens (particularly when they're both running from the same 24-bit palette), but I concern myself with the subtlities when doing production work.
Is anyone using the CML174 in a similar capacity? I would like to consider it still, but to hear the opinion who is using this monitor for design work will be helpful.
Thanks in advance
-Robs
