lowcost Broadcast mic?

[Guest]

Archived from groups: rec.audio.pro (More info?)

On 12 Jul 2005 07:46:07 -0400, kludge@panix.com (Scott Dorsey) wrote:

>Anybody who can break the windscreen on a 421 in a broadcast situation
>should probably get some therapy for his aggressive feelings.
>--scott

I think some of our volunteers use us as their therapy!
Mike T.
CJSR - FM 88.5, at the extreme left of your dial

 

[Guest]

Archived from groups: rec.audio.pro (More info?)

On Tue, 12 Jul 2005 13:50:28 -0400, Justin Ulysses Morse wrote
(in article <1121190657.337c9b4d7f44d340095c6a04951a29e2@teranews>):

> Ty Ford <tyreeford@comcast.net> wrote:
>
>> The weird thing is, once you know how to connect and disconnect the 421
>> from
>> the clip, the clips don't break.
>
>
> I take it you've never worked at a volunteer-run college radio station.
>
> I know, YOU no longer break them and I no longer break them. But those
> students take lots of classes so they're very smart. They can do
> almost anything. They can go through a case of headphones like it's a
> bowl of mints.
>
> ulysses

Burp! Well of course you are correct.

Ty

-- Ty Ford's equipment reviews, audio samples, rates and other audiocentric
stuff are at www.tyford.com

 

[Guest]

Archived from groups: rec.audio.pro (More info?)

Jim Gilliland <usemylastname@cheerful.com> wrote:


> Those clips got broken all the time, seemed like the mics were always
> being held on with duct tape.

Elastic bands are much better and more versatile: depending on how you
wrap them, you can align the mic along or across the boom.

With a really lightweight portable set-up, I just sling in a handfull of
elastic bands and don't bother to carry mic clips at all.

--
~ Adrian Tuddenham ~
(Remove the ".invalid"s and add ".co.uk" to reply)
www.poppyrecords.co.uk