I am surprised the music companies don't fight sales of used CDs or CDs available from public libraries.
Ever since cassette tapes, record companies have been concerned about piracy by consumers. However, I gather the music industry survived just fine, during cassette era. The threat they perceived from CDs was that you could make a "perfect" copy... and a "perfect" copy of that... and so on. Their solution was to introduce a weird tax on blank recordable CD Audio media that gets paid out to the record companies. However, the same tax didn't apply to recordable data CDs, which it turned out you could still use to make "Redbook" audio CDs.
Throughout the 90's, I don't really recall audio CD recorders taking off, in the US. The hardware was very expensive, so I gather most people just kept using cassettes (until the MP3 era). Therefore, the issue didn't really have to be faced head-on, when the only threat was physical media. They certainly,
did try to devise some Redbook CD copy-protection schemes, but they were either circumvented easily enough or caused too many compatibility problems with players.
However, I think that concern over copying with lack of "generation loss" is why they were also much more concerned about CD ripping and peer-to-peer networks for sharing MP3s. Even though a tiny fraction of MP3 downloaders would've bought its CD (i.e. truly represented lost sales), many of them would
share the MP3 to others who might've otherwise bought the CD. The looming problem they faced was: if
everyone is copying, then
nobody is buying and their industry collapses. There certainly was a generation of kids who didn't get habituated into buying musing and the concept even seemed strange to them. I think the industry wasn't concerned over nothing.
Had I not been able to download it, I would NOT have ran down to the music department of a store and bought the music.
Same thing for me. However, even if their sales just declined by like 50%, such a precipitous drop could make their economic model non-viable. So, whether it was reasonable or not, they used every opportunity possible to claim "loss of sales" and try to strike fear in the file-sharing public, in order to suppress the phenomenon.
It is just like copyright is supposed to drop off on content after so many years, but because of the Big Bucks like Disney gives out like candy to Congress, it is no longer happening. ... But this means Mickey Mouse would be public domain now ...
Nope. The copyright limit
did finally stop getting extended. I guess you didn't hear about Steamboat Willie?
Yeah, but I guess there are limits... and it turns out that IP is easier & cheaper to create than ever. By now, probably just a couple % of Disney's business involves those old cartoon characters and their value is perhaps mostly as a figurehead.
Additionally, how do you charge a non-U.S. citizen with U.S. crimes not committed physically in the U.S.? Why would a non-U.S. citizen be held to our laws on something like this?
Fair question. I'm not sure what's the legal basis for that. I'm sure there is one, but I have no idea how the laws in the US & elsewhere enable not just extradition, but then subsequent prosecution in such circumstances. If anyone has
actual knowledge of how this works, I'd be interested in hearing it.