Archived from groups: alt.comp.periphs.scanner (
More info?)
On Tue, 28 Sep 2004 21:18:59 GMT in alt.comp.periphs.scanner, "Philip
Webb" <phil.webb@ntlworld.com> wrote:
>I normally shoot color transparency film, but have a job coming up which I
>have been asked to shoot negs of.
>
>I use tungsten lights and tungsten balenced films pretty exclusively.
>
>Now I was sort of surprised to find colour neg films balenced for tungsten -
>I assumed you just used daylight and colour correted out the yellow cast
>later.
>
>Question is - I need faster emulsions for this shoot, so tungsten is not an
>option as they are slow and filtering just takes away all the speed
>advantage.
>
>So if I shoot fast daylight neg in tungsten and get them pro scanned to high
>res, can the lab take out the yellow cast ok when scanning, or will this be
>abad route to take??
Can't you use a daylight source: floods or flash?
How would you correct colour balance on an enlarger?
What side effects would you expect when doing so?
How would those side effects affect your finishe product?
Does the lab even offer colour balance correction?
--
Thanks. Take care, Brian Inglis Calgary, Alberta, Canada
Brian.Inglis@CSi.com (Brian[dot]Inglis{at}SystematicSW[dot]ab[dot]ca)
fake address use address above to reply